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The Makropulos Case

Music: Leos Janácek. Lyrics: Janácek after a play by Karel Capek, Vec Makropulos.

Premiere

First performance: Brno 18 December 1926.

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Roles Voices Singers
Emilia Marty sopranCheryl Barker
Kolenatý basbaryton Neal Davies
Albert Gregor tenor Robert Brubaker
Vitek tenor John Graham-Hall
Kristina sopran Elena Xanthoudakis
Jaroslav Prus baryton John Wegner
Janek tenor Thomas Walker
Hauk-Sendorf tenor Graham Clark
Städfru mezzosopran Kathleen Wilkinson
Maskinist bas Graeme Danby
Kammarfru mezzosopran Susanna Tudor-Thomas

The action of the opera takes place in Prague in the 1920s. In 1585 a daughter, Elina, was born to Hieronymus Makropulos, the Cretan court physician to the Holy Roman Emperor Rudolf II. The Emperor, obsessed with alchemy and magic potions, commissioned Makropulos to find him an elixir of eternal life. Fearing poison, the Emperor forced the physician first to try it on his own daughter Elina. For a week she lay in a coma but, although she recovered, the efficacy of the potion was naturally impossible to prove. The physician was imprisoned and his daughter fled Prague with the formula to start a series of new lives. Every generation she changed her name, but throughout her extended life she has retained the same initials: E. M.

Act One A room in Dr Kolenatý’s chambers

The outcome is expected today of the century-old case of Gregor versus Prus. Baron Josef Ferdinand (‘Pepi’) Prus died intestate in 1827, and his valuable estate passed to a cousin. Soon after it was claimed by one Ferdinand Gregor, and it has been contested by both families ever since. It now seems that Albert Gregor’s inability to supply convincing written proof of his claim will finally give the estate to his rival, Jaroslav Prus. All this is changed by the arrival in Prague of the famous opera singer, Emilia Marty. Her uncanny knowledge of past events concerning the Scottish singer Elian MacGregor, Pepi’s mistress, reopens the case. She describes the whereabouts of Pepi’s long-missing will, and Kolenatý is sent to look for it. Left alone with Marty, Gregor becomes bewitched by her and fascinated by her revelations. She demands that he give her the Greek document which is among the old Baron’s papers, but he pleads ignorance of any such paper. Kolenatý returns with Jaroslav Prus: they have found the will, together with some letters and a document written in Greek. But the will mentions only a son called Ferdinand, and gives no surname. Prus insists that more evidence is required to prove that Ferdinand was in fact the son of Pepi and Elian MacGregor. Marty offers to provide it.

Act Two The opera house, after a performance

Following her triumphant performance at the opera, Marty continues to use her spell-binding power to destroy the other characters. She fascinates not only Gregor but the young singer Kristina and Prus’s son Janek, her tongue-tied boyfriend. The group of admirers is joined by the demented Hauk-Šendorf, who recalls passionate memories from the past. Marty, who has insulted everyone else, embraces the elderly man. It gradually becomes clear that Marty’s real object is not to help Gregor win his case, but the recovery of an old Greek document which contains the formula of the potion which grants three hundred years of existence. For the first time in her life she is experiencing the onset of age. In a private encounter with Marty, Prus reveals to her that not only does he have the Greek document she seeks, but also that he has learned that in the parish register Ferdinand’s surname is given as Makropulos. The estate and, of course, the Greek document will remain in the Prus family until a Makropulos comes forward to claim them.

Recommended recording

Janácek: Vec Makropulos
Söderström,Dvorsky,Blachut
Chor der Wiener Staatsoper/Wiener Philharmoniker/Sir Charles Mackerras
Decca 475 6872 [9 CD].1980

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| ALTSÅNGARE | BARYTONER | BASBARYTONER | BASSÅNGARE | BAYERISCHE STAATSOPER MÜNCHEN | BAYREUTH FESTSPEL | BERÖMDA ARIOR | COVENT GARDEN OPERA LONDON | DALHALLA | DEUTSCHE OPER BERLIN | STAATSOPER BERLIN | KOMISCHE OPER BERLIN | DIRIGENTER | ENO I LONDON | GÖTEBORGSOPERAN | STAATSOPER HAMBURG | FOLKOPERAN STOCKHOLM | HANDLINGEN I OPEROR SOM JAG HAR SETT | HANDLINGEN I ÖVRIGA OPEROR | NATIONALOPERAN I HELSINGFORS | HÖRT OCH SETT PÅ OPERAN | KOREOGRAFER | KOSTYMDESIGNER | DEN KONGELIGE OPERA I KÖPENHAMN | LA SCALA PÅ BIO | LIBRETTISTER | LIBRETTO | LJUSDESIGNER | LÄNKAR TILL OPERAHUSEN | LÄNKAR TILL SKIVBOLAG-SKIVMÄRKEN | MALMÖ OPERA | METROPOLITAN OPERA I NEW YORK | MEZZOSOPRANER | MINA OPERAINSPELNINGAR | MUSIKALER | MUSIKRESOR | NORRLANDSOPERAN | OPERABASE | METROPOLITAN PÅ BIO | DEN NORSKE OPERA I OSLO | OPERISSIMO | OPERAKOMPOSITÖRER | OPERAREGISSÖRER | OPERA PÅ SKÄRET | OPERETT | OPERAKÖRER | OPERAORKESTRAR | OPERAROLLER och RÖSTER | OPERASCENER | OPERASTÄDER | OPERALOGG | OPERASÄLLSKAP | PUCCINI FESTIVAL I TORRE DEL LAGO | LA SCALA MILANO | SCENOGRAFER | SEMPEROPER I DRESDEN SOMMAROPERA | SOPRANER | SAVONLINNA OPERAFESTIVAL | STARTSIDA | KUNGLIGA OPERAN STOCKHOLM | TENORER | TIDSKRIFTEN OPERA | OPERA NOW | OPERNWELT | TIDNINGEN OPUS | TIPS PÅ BRA CD-INSPELNINGAR | ARENA DI VERONA | VEM ÄR JAG? | WEBBKARTA | WIEN STAATSOPER | VÄRMLANDSOPERAN |
©Mogens H Andersson
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Adress:http://www.mogensoperasidor.se/makropulos.htm

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